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A woman to cherish

Jean Renoir’s “French Cancan” (1954).

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On making love without a reason

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Quince esquinas del mundo

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«Extracto del diario, pág. 22:

«Se trata como un evento dentro del silencio.

«La pieza debería crear la impresión de que se distorsiona el silencio, como el cristal distorsiona el espacio cuando miras a través de él.

«Ningún fragmento temporal de la pieza puede crear la impresión de una estructura cerrada.

«Es como ver un paisaje: ves el norte, pero también el noroeste y el nordeste.

«Puede ser un concepto formal. Rotar en torno a un eje y observar un panorama.

«Puedes empezar y terminar en cualquier punto.

«Si hay 15 voces, puedes observar quince esquinas del mundo.»

Eugeniusz Rudnik

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Nothing is as good as it

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“I’d say money is nothing, but nothing’s as good as money.”

Philippe Garrel, Sauvage innocence (2001).

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